References

• Bordwell, David (1985), Narration in the Fiction Film, Madison, University of Wisconsin Press.
• Brown, Royal S. (1994), Overtones and Undertones. Reading Film Music, Berkeley, University of California Press.
• Chion, Michel (1990), L’audio-vision. Son et image au cinéma, Paris, Nathan (english translation by Claudia Gorbman: Audio-Vision: Sound on Screen, New York, Columbia University Press, 1994).
• Genette, Gérard (1969), “D’un récit baroque”, in Id., Figures II, Paris, Seuil.
• — (1983), Nouveau discours du récit, Paris, Seuil (eng. transl. Jane E. Lewin: Narrative Discourse Revisited, Ithaca, Cornell University Press, 1988).
• Goodman, Nelson (1968), Languages of Art. An Approach to a Theory of Symbols, Indianapolis, Bobbs-Merrill.
• — (1978), Ways of Worldmaking, Indianapolis, Hackett.
• Gorbman, Claudia (1980), “Narrative Film Music”, Yale French Studies, 60 (Cinema/Sound), pp. 183-203.
• Johnson, William (1989), “Sound and Image: A Further Hearing”, Film Quarterly, 43/1, pp. 24-35.
• Neumeyer, David (2009), “Diegetic/Nondiegetic: A Theoretical Model”, Music and the Moving Image, 2/1.
• Norden, Martin F. (2007), “Diegetic Commentaries”, Offscreen, 11/8-9.
• Percheron, Daniel (1980), “Sound in Cinema and Its Relationship to Image and Diegesis”, Yale French Studies, 60 (Cinema/Sound), pp. 16-23.
• Ricoeur, Paul (1984), Temps et récit. Tome II. La configuration dans le récit de fiction, Paris, Seuil (english translation by Kathleen McLaughlin and David Pellauer: Time and Narrative. Volume 2, Chicago, The Chicago University Press, 1985).
• Smith, Jeff (2009), “Bridging the Gap: Reconsidering the Border between Diegetic and Nondiegetic Music”, Music and the Moving Image, 2/1.
• Souriau, Etienne (1953) [ed.], L’Univers filmique, Paris, Flammarion.
• Stilwell, Robynn J. (2007), “The Fantastical Gap between Diegetic and Nondiegetic”, in Goldmark, Daniel – Kramer, Lawrence – Leppert, Richard [eds.], Beyond the Soundtrack: Representing Music in Cinema, Berkeley, University of California Press, pp. 184-202.
• Taylor, Henry M. (2007), “The Success Story of a Misnomer”, Offscreen, 11/8-9.
• Thom, Randy (2007), “Acoustics of the Soul”, Offscreen, 11/8-9.
• Wittgenstein, Ludwig (1922), Tractatus logico-philosophicus, ed. by B. McGuinnes, with an introduction by B. Russell, London, Kegan Paul.

Film details

Hitchcock Alfred, Psycho (USA 1960, 109’)
Subject: R. Bloch (novel) – Screenplay: J. Stefano – Editing: G. Tomasini – Photography: J. L. Russell – Original music: B. Herrmann – Sound: W. Russell, W. O. Watson – Special effects: C. Champagne – Art direction: R. Clatworthy, J. Hurley – Producer: A. Hitchcock – Production management: L. Leary – Cast: J. Leigh, A. Perkins, V. Miles, J. Gavin, M. Balsam, J. McIntire, S. Oakland, V. Taylor, F. Albertson, L. Tuttle, P. Hitchcock, J. Anderson, M. Mills.