2012:

- Giacomo Albert / Immersion as category of audiovisual experience: from Long Beach to Hollywood

- Stefano Lombardi Vallauri / "An Index of Metals" by Romitelli/Pachini: An Abstract-Concrete Multimedia Essay on Corruption

- Marida Rizzuti / The film musical? A proposal for a genre definition

2011:

- Gianmario Borio / Franco Evangelisti’s "Die Schachtel" and its filmic transposition by Gregory Markopoulos

- Nicola Bizzaro / Pierre Schaeffer’s contribution to audiovisual theory

- Federica Rovelli / "Touch of Evil" between restitutio textus and creative restoration

2010:

- Alessandro Bratus / Popular music and cinema: how the rock artist is represented on the big screen

- Alessandro Cecchi / Diegetic versus nondiegetic: a reconsideration of the conceptual opposition as a contribution to the theory of audiovision

- Maurizio Corbella / Sound design. Ambiguity and historical necessity of a fashionable label

Work in progress:

- Elena Mosconi / Italo-American identity in films featuring tenors: the case of Mario Lanza

- Giacomo Albert / The concept of immersion

- Matteo Giuggioli / Genres of cinema in relation to music

- Marco Monzio Compagnoni / Beethoven's String Quartet op. 135 in Godard's "Prénom Carmen"

- Marida Rizzuti / "Carmen Story": adaptation, transposition, translatability

- Stefano Vallauri / Temporality in music and abstract video: An Index of Metals by Romitelli/Pachini

- Gaia Varon / Musical performance and cinema

(The papers presented here briefly summarize the main results of the research carried out by WAV members as discussed at several seminars)

La comunicazione audiovisiva: immagine e suono nel cinema e nei testi multimediali (published in Philomusica on-line, n. VI/3 - 2007) (Italian only)

- Gianmario Borio /  Riflessioni sul rapporto tra struttura e significato nei testi audiovisivi

- Elena Mosconi / La nuova vita delle antiche cose: l’opera sullo schermo e il «Don Giovanni» di Peter Sellars

- Nicola Bizzaro / «Match für drei Spieler» (1964-1966)

- Alessandro Bratus / «Come To Daddy» e «Rubber Johnny» di Aphex Twin e Chris Cunningham

- Maurizio Corbella / «Il Club Silencio». Alcuni aspetti dell’uso del sonoro nel cinema di David Lynch

- Andrea Faini / «Amadeus» (1984): il cortocircuito multimediale

- Matteo Giuggioli / Immagine, suono, relazione mentale in «The Man Who Knew Too Much» (1956) di Alfred Hitchcock

- Marco Gurrieri / «Moulin Rouge!» di Baz Luhrmann

- Federica Rovelli / Audiovisione e screen-musical. «The Wizard of Oz» (1939)

- Paolo Vittorelli / Il vangelo secondo Matteo. Pasolini e il sacro: «Crist al mi clama / ma sensa lus»...