NECS, Network for European Cinema and Media Studies, effettuerà il suo convegno annuale sul tema “Creative Industries. Creative Energies” nel giorni 19-21 giugno 2014 presso l’Università Cattolica del S. Cuore di Milano. All’interno della rete, che raccoglie più di cinquecento studiosi europei, esiste un “Sound and Music Workgroup”, il cui General Meeting avrà luogo Giovedì 19, ore 13.45-15.30 (panel C11).

Altri panel sponsorizzati dal Workgroup riguardano:

- Sound, Vision and Technology (19 giugno, ore 11-12.45, panel B4 - chair Maurizio Corbella):
Sibel Taylor, Sam Roggen, Vincent Bohlinger, Helen Hanson

- Sound as a Structuring Vector in Contemporary Musical Multimedia (20 giugno, ore 11-12,45, panel F5 - chair Liz Greene):
Giacomo Albert, What Does it Happen When a Soundtrack Becomes an App?
Alessandro Bratus, Playing Images of Sounds. Warp Record’s Identity Construction In-Between Media
Stefano Lombardi Vallauri, The Formal/Temporal Convergence of Video and Music in Digital Performance: Utp_ by Noto/Sakamoto
Marida Rizzuti, Glee as Starting Point Towards Spread Creativity in Contemporary Musical TV Series

- Creativity and the Soundtrack:a Critical Focus on Industry Practice (20 giugno, ore 13.45-15.30, panel G4 - chair Nessa Johnston):
Liz Greene, Ilario Meandri, Jasper Aalbers, Leo Murray

- Sonic Creativity at the Fringes: Sounding Out the Avant-Garde, Indie and Underground (20 giugno, ore 15.45-17.30, panel H4 - chair Jasper Aalbers):
Jamie Sexton, Colin Black, Jennifer O’Meara, Nessa Johnston

- National Soundscapes. Italian Cinema’s Soundtracks (21 giugno, ore 11-12.45, panel J4 - chair Teresa Fraile):
Paolo Noto, The Film Opera Factory
Maurizio Corbella, Cinema as Musical Archive: Mediatised Performance of Folk Music in Italian Films (1945-1969)
Alessandro Cecchi, Between Intertextuality and Remediation: Audio-visual Strategies in Italian Fiction and Documentary Films of the Economic Miracle and Beyond
Elena Boschi, Queer Dreams? Italian Popular Music and Lesbian Romance in Viola di mare

- Vernacular, Popular, Collective. Conceiving Paradigms in Sound Studies (21 giugno, ore 13.45-15.30, panel K4 - chair Alessandro Bratus):
Deb Verhoeven, Alwyn Davidson, ‘Songification’: Vernacular Approaches to Music Industry Research
Gaia Varon, Creativity Over the Score. Hidden Authorship in Classical Music Videos
Teresa Fraile, Collective Memory and Popular Music in Spanish Contemporary Cinema
Stephen Amico, Producing the Audiovisual Self: Popular Music, Fashion, Global Capital, Embodiment

- Rhythmic Bodies. Choreography, Music, Performance, Cinema (21 giugno, ore 15.45- 17.30, panel L4 - chair Laurent Guido)
Maria Cristina Addis, Peter W. Schulze, Tim McNelis, Elisabetta Girelli.

Il programma completo del convegno è disponibile al seguente link.