Bibliografia

Teorie della letteratura, teoria dell’adattamento, traduzione intersemiotica

• Anstey, Frederick (1885), The Tinted Venus, Bristol, J. W. Arrowsmith
• Bachtin, Michail (1997), Estetica e romanzo, Torino, Einaudi.
• Barthes, Roland (1977), Image – Music – Text, Glasgow, Fontana/Collins
• Cartmell, Deborah – Whelehan, Imelda (1999) [eds.], Adaptations: From Text to Screen, Screen to Text, London, Routledge.
• Dusi, Nicola (2003), Il cinema come traduzione: da un medium all’altro letteratura, cinema, pittura, Torino, UTET.
• Ferrell, William K. (2000), Literature and Film as Modern Mythology, Westport, Praeger.
• Gaudreault, André (2006), Dal letterario al filmico. Sistema del racconto, Torino, Lindau.
• Genette, Gérard (1997), Palinsesti. La letteratura al secondo grado, Torino, Einaudi.
• Giddings, Robert – Selby, Keith – Wensley, Chris (1990), Screening the Novel. The Theory and Practice of Literary Dramatization, London, MacMillan.
• Hutcheon, Linda (2006), A Theory of Adaptation, New York, Routledge.
• Iser, Wolfgang (2000), The Range of Interpretation, New York, Columbia University Press.
• McFarlane, Brian (1996), Novel to Film, Oxford, Clarendon Press.
• Rutelli, Romana (2004), Dal libro allo schermo. Sulle traduzioni intersemiotiche dal testo verbale al cinema, Pisa, ETS.
• Sanders, Julie (2006), Adaptation and Appropriation, London, Routledge.
• Stam, Robert – Raengo, Alessandra (2004) [eds.], A Companion to Literature and Film, Malden, Blackwell Publishing.
• Stam, Robert (2005), Literature through Film, Malden, Blackwell Publishing.
• Wagner, Geoffrey (1975), The Novel and the Cinema, Cranbury, Associated University Press.
• Welsh, James M. – Lev, Peter (2007) [eds.], The Literature/Film Reader Issues of Adaptation, Lanham, Scarecrow Press.

Musical, teoria e generi cinematografici: film musical

• Altman, Rick (1989), The American Film Musical, Bloomington, Indiana University Press.
• Altman, Rick (2004), Film/Genere, Milano, Vita e Pensiero Università.
• Andrews, Dudley (1984), Concepts in Film Theory, Oxford, Oxford University Press.
• Dyer, Richard (2002), Only Entertainment, London, Routledge.
• Hischak, Thomas (2008), The Oxford Companion to the American Musical Theatre, Film and Television, New York, Oxford University Press.
• Knapp, Raymond – Morris, Mitchell – Wolf, Stacy (2011) [eds.], The Oxford Handbook of the American Musical, New York, Oxford University Press.
• Knopf, Robert (2005), Theater and Film. A Comparative Anthology, New York, Yale University Press.
• Kowalke, Kim (2002), The Golden Age of the Musical, in Handbuch der Musik im 20. Jahrhundert, Band 6. Musical. Das unterhaltende Genre, herausgeben von Armin Geraths und Christian Martin Schmidt, Laaber, Laaber-Verlag, pp. 137-178.
• La Polla, Franco – Monteleone, Franco (2002) [cur.], Il cinema che ha fatto sognare il mondo. La commedia brillante e il musical, Roma, Bulzoni.
• La Polla, Franco (2004), Sogno e realtà americana nel cinema di Hollywood, Milano, Il Castoro.
• Leitch, Thomas (2007), Film Adaptation & Its Discontents, Baltimora, The Johns Hopkins University Press.
• Miller, Toby – Stam, Robert (2004) [eds.], A Companion to Film Theory, Malden, Blackwell Publishing.
• Miceli, Sergio (2009), Musica per film. Storia, estetica-analisi, tipologie, Milano/Lucca, Ricordi/LIM.
• Naremore, James (2000) [ed.], Film Adaptations, New Brunswick, Rutgers University Press.
• Zatlin, Phyllis (2005), Theatrical Translation and Film Adaptation: A Practioner’s View, Clevedon, Multilingual Matters.

Schede dei film

SEITER WILLIAM, ONE TOUCH OF VENUS, (USA 1948, 81’)

Sceneggiatura: H. Kurnitz, F. Tashlin – Fotografia: F. Planer – Scenografia: B. Herzbrun, E. H. Nicholson – Montaggio: O. Ludwig – Effetti speciali: D. S. Horsley – Musiche: A. Ronell, K. Weill – Cast: A. Gardner, R. Walker, D. Haymes, E. Arden, O. San Juan – produzione: Universal.

CUKOR GEORGE, MY FAIR LADY (USA 1964, 166’)

Soggetto: Pygmalion (G. B. Shaw) e My Fair Lady (A. J. Lerner, F. Loewe, prodotto da H. Levin) – Sceneggiatura: A. J. Lerner – Produzione e costumi: C. Beaton – Musiche: F. Loewe – Supervisione musicale: A. Previn – Restauro: R. H. Harris, J. C. Katz – Cast: A. Hepburn, R. Harrison, S. Holloway, W. Hyde-White, G. Cooper, J. Brett – Produzione: J. L. Warner.