Bibliography

Literary theories, adaptation theories, intersemiotic translation

• Anstey, Frederick (1885), The Tinted Venus, Bristol, J. W. Arrowsmith
• Bachtin, Michail (1997), Estetica e romanzo, Torino, Einaudi.
• Barthes, Roland (1977), Image – Music – Text, Glasgow, Fontana/Collins
• Cartmell, Deborah – Whelehan, Imelda (1999) [eds.], Adaptations: From Text to Screen, Screen to Text, London, Routledge.
• Dusi, Nicola (2003), Il cinema come traduzione: da un medium all’altro letteratura, cinema, pittura, Torino, UTET.
• Ferrell, William K. (2000), Literature and Film as Modern Mythology, Westport, Praeger.
• Gaudreault, André, (1988), Du litteraire au filmique: système du récit, Paris, Mèridiens Klincksieck.
• Genette, Gérard (1997), Palimpsests: literature in the second degree, Lincoln, University of Nebraska Press.
• Giddings, Robert – Selby, Keith – Wensley, Chris (1990), Screening the Novel. The Theory and Practice of Literary Dramatization, London, MacMillan.
• Hutcheon, Linda (2006), A Theory of Adaptation, New York, Routledge.
• Iser, Wolfgang (2000), The Range of Interpretation, New York, Columbia University Press.
• McFarlane, Brian (1996), Novel to Film, Oxford, Clarendon Press.
• Rutelli, Romana (2004), Dal libro allo schermo. Sulle traduzioni intersemiotiche dal testo verbale al cinema, Pisa, ETS.
• Sanders, Julie (2006), Adaptation and Appropriation, London, Routledge.
• Stam, Robert – Raengo, Alessandra (2004) [eds.], A Companion to Literature and Film, Malden, Blackwell Publishing.
• Stam, Robert (2005), Literature through Film, Malden, Blackwell Publishing.
• Wagner, Geoffrey (1975), The Novel and the Cinema, Cranbury, Associated University Press.
• Welsh, James M. – Lev, Peter (2007) [eds.], The Literature/Film Reader Issues of Adaptation, Lanham, Scarecrow Press.

Musical, theoretical issues and cinematographic genres: film musical

• Altman, Rick (1989), The American Film Musical, Bloomington, Indiana University Press.
• Altman, Rick (1999), Film/genre, London, BFI Publishing.
• Andrews, Dudley (1984), Concepts in Film Theory, Oxford, Oxford University Press.
• Bazin, André (1999), Che cos’è il cinema? Il film come opera d’arte e come mito nella riflessione di un maestro della critica, trad. it. a cura di Adriano Aprà, Milano, Garzanti.
• Dyer, Richard (2002), Only Entertainment, London, Routledge.
• Hischak, Thomas (2008), The Oxford Companion to the American Musical Theatre, Film and Television, New York, Oxford University Press.
• Knapp, Raymond – Morris, Mitchell – Wolf, Stacy (2011) [eds.], The Oxford Handbook of the American Musical, New York, Oxford University Press.
• Knopf, Robert (2005), Theater and Film. A Comparative Anthology, New York, Yale University Press.
• Kowalke, Kim (2002), The Golden Age of the Musical, in Geraths, Arnim -  Schmidt, Christian Martin [hrgb.], Handbuch der Musik im 20. Jahrhundert, Band 6. Musical. Das unterhaltende Genre, Laaber, Laaber-Verlag, pp. 137-178.
• La Polla, Franco – Monteleone, Franco (2002) [cur.], Il cinema che ha fatto sognare il mondo. La commedia brillante e il musical, Roma, Bulzoni.
• La Polla, Franco (2004), Sogno e realtà americana nel cinema di Hollywood, Milano, Il Castoro.
• Leitch, Thomas (2007), Film Adaptation & Its Discontents, Baltimora, The Johns Hopkins University Press.
• Miller, Toby – Stam, Robert (2004) [eds.], A Companion to Film Theory, Malden, Blackwell Publishing.
• Miceli, Sergio (2009), Musica per film. Storia, estetica-analisi, tipologie, Milano/Lucca, Ricordi/LIM.
• Naremore, James (2000) [ed.], Film Adaptations, New Brunswick, Rutgers University Press.
• Zatlin, Phyllis (2005), Theatrical Translation and Film Adaptation: A Practioner’s View, Clevedon, Multilingual Matters.

Film details

SEITER WILLIAM, ONE TOUCH OF VENUS (USA 1948, 81’)

Script: H. Kurnitz, F. Tashlin – Photography: F. Planer – Scenography: B. Herzbrun, E. H. Nicholson – Editing: O. Ludwig – Special effects: D. S. Horsley – Music: A. Ronell, K. Weill – Cast: A. Gardner, R. Walker, D. Haymes, E. Arden, O. San Juan – Production: Universal.

CUKOR GEORGE, MY FAIR LADY (USA 1964, 166’)

Subject: Pygmalion (G. B. Shaw) and My Fair Lady (A. J. Lerner, F. Loewe, produced by H. Levin) – Script: A. J. Lerner – Production: C. Beaton – Music: F. Loewe – Musical supervision: A. Previn – Restoration: R. H. Harris, J. C. Katz – Cast: A. Hepburn, R. Harrison, S. Holloway, W. Hyde-White, G. Cooper, J. Brett – Production: J. L. Warner.